剧情片
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罔笑是个典型的乡下阿嬷, 在贫苦的环境扶养四个小孩长大, 但各自成家的小孩却不孝顺, 将她每个月轮流寄养, 兄弟间彼此计较着大小月的天数, 但乐观的罔笑总是一笑置之。 直到有一天她迷路流落警察局, 且意外地中了乐透头奖, 众子女开始急着寻找罔笑, 大家赶回乡下老家, 展开一段荒谬的比赛孝顺之旅……
梅芳,王自强,谢丽金,廖慧珍,陈万号,马..
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Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far. The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939). The title music sets the tone a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff. The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man. Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'. Roger Philip Mellor
Anna,Neagle,Anton,Wa..
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In every generation, a torch passes from father to son. And that timeless dynamic is the beating heart of Tommy's Honor - an intimate, powerfully moving tale of the real-life founders of the modern game of golf.
山姆·尼尔,奥菲利亚·拉维邦德,彼得·穆..
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伊丽莎白一世时期的英国,处处有风花雪月的娱乐活动,然而莎士比亚(约瑟夫•费因斯 Joseph Fiennes 饰)此时却陷入了创作的枯竭期。他笔下的《罗密欧与海盗之女阿丝》因此搁浅。薇拉夫人(格温妮斯•帕特洛 Gwyneth Paltrow 饰)的出现可谓一石激起千 层浪。她酷爱话剧,不顾女人不能登台的世俗观念,不惜女扮男装前来参演莎士比亚的戏剧。莎士比亚洞悉了薇拉夫人的秘密。他从她身上强烈感受到创作的灵感,闻出爱情来到的味道。二人共坠爱海。他笔下开始有了罗密欧与茱丽叶熠熠生辉的故事。好景不长,薇拉要嫁入一个贵族人家。莎士比亚的创作如有神助,感情却陷入无望。但他还在努力用笔,用真情,去改写这一切。
约瑟夫·费因斯,格温妮斯·帕特洛,杰弗里..
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The volatile intersections of contemporary Moscow and the intimate lives of five people.
叶莲娜·巴别卡,尤金妮娅·赫里芙斯卡雅,..
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故事发生在七十年代末期的日内瓦,来自比利时的艾迪(贝诺特·波尔沃尔德 Benoît Poelvoorde 饰)因为行骗锒铛入狱,当他好不容易熬完了他的刑期时,已经年逾四十了。出狱后没多久,艾迪就遇到了他从前的朋友,朋友收留了无家可归的艾迪,但作为交换条件,艾迪必须担负起照顾他年仅7岁的小女儿萨米拉(Séli Gmach 饰)的责任,因为萨米拉的母亲目前正在生病住院之中。 圣诞节将至,四处都洋溢着浓烈的节日气氛,艾迪再也无法忍受贫穷而又无望的生活了,他决定重操旧业给自己小赚一笔。电视里传出了影视明星查理卓别林去世的新闻,机敏的艾迪从中发现了商机。
伯努瓦·波尔沃德,罗什迪·泽姆,Séli..
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故事讲述生活在印度的一个英国家族剧团。他们在城镇和乡村间巡回演出莎士比亚的戏剧。透过他们的旅程,观众可看见印度的面貌在不断变化,旧事物被新事物所取代,印度王公变成了酒店老板,体育运动变得比文化活动更重要,传统剧院被宝莱坞电影所取代。影片改编自Geoffrey Kendal和他女儿Felicity Kendal的游记。 导演:James Ivory《看得见风景的房间》《此情可问天》 获奖:1965年柏林电影节最佳女演员奖
沙希·卡普尔,费莉西蒂·肯德尔,杰弗里·..
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The Biblical story of Salome, a girl who agrees to perform the dance of the seven veils in return for John the Baptist's head on a silver platter.
凯文·安德森,杰西卡·查斯坦,Ralph..
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漫画家猫田草莓创作的少女漫画《樱桃之路》,深得读者喜爱,拥有了一大批追随者。然而,12年过去了,猫田却没有创作出超越《樱桃之路》的作品。而猫田一直以来忘记不了《樱桃之路》中人物的原形——已经过世的楠濑前辈。这也是阻碍她创作的主要原因。与猫田并肩奋斗的经纪人知子,也为此苦恼不已...... 15年前,根据吉田秋生的名作改编由中原俊监督的《樱之园》,捧红了当时年仅小学2年级和3年级的两名少女。这两名少女也在《樱之园》的影响下逐渐长大,都成为了女演员。朝日电视台播放的《Sky High》导演高桥努,在遇见了两人中宫泽美保时,从少女的成长中获得灵感,与中原俊监督一起制作出了该片。而押尾学、木村佳乃等众多名流、实力派演员纷纷加入该片,为两为女主角甘当绿叶。
木村佳乃,押尾学,石桥莲司
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Shuffle is the tale of a man who begins experiencing his life out of order; every day he wakes up at a different age, on a different day of his life, never knowing where or when he’s going to be once he falls asleep. He’s terrified and wants it to sto
T·J·塞恩,Paula Rhodes
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故事主要讲述了几世前一位默默无名的小药童,不愿与无良药商同流合污,用生命守护药草,最终药草吸附了药童的鲜血有了灵性。几世轮回,以钩藤为首的四味药草(钩藤、曼罗、水苏、豆蔻)幻化为药灵,有了人的模样,他们必须再次寻找到一位真心驭药人,用鲜血滋养药身,才能真正修炼成仙。而一旦他们成仙,世间也便再无这味药草。云来镇小药师林东笙,心怀济世之梦,努力寻找这四味绝迹药草治病救人。在双方互相寻找的过程中,曼罗等终于发现林东笙即前世用命守护自己的种药小子,想要报恩时,却被与林家世代结仇的刘虎设下诡计,陷害林东笙蓄意下毒,引来官府及药灵谷的双重追杀。曼罗为保护林东笙不惜与钩藤、水苏等决裂,在拯救苍生与自我获益之间,每个人都面临着重要抉择……
孟瑞,蓝振廷,吴昊泽
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古老广袤的非洲大陆,千百年流传着一个极其残酷的习俗,这里的女孩长到一定年龄时就要接受割礼。所谓割礼,即割除女性部分或者全部的阴核以及小阴唇,再用一般针线或者荆棘缝合。全程没有任何麻醉和消毒措施,受礼者痛苦至极,且要承受着破伤风感染、艾滋病传染甚至丧命的危险。 克里(Fatoumata Coulibaly 饰)是一位聪明贤良的女性,她对年轻时接受割礼的痛苦经历记忆犹新,而且在接下来的几十年里,她无时无刻不在承受着伤口为精神和肉体带来的双重折磨。克里不愿女儿再承受这般磨难,于是不顾一切阻止女儿接受割礼。她的举动遭到村里人的质疑和职责,来自周遭的压力越来越大…… 本片荣获2004年戛纳电影节天主教人道精神奖的特别提名奖和一种关注奖、2005年马尼拉国际电影节最佳女主角(Fatoumata Coulibaly)。
Aminata,Dao,Fatoumat..
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昔日赛车手梁晖(周游 饰)在目睹好友周晓杰(段博文 饰)意外死亡后一蹶不振,重新做回货车司机,却在一场车祸中意外发现好友遗物里的秘密,难道他还活着? 实习医生田小心(郭姝彤 饰)爱上了从未赢过、总是被打得伤痕累累的拳手小孙(李程彬 饰),她想以爱之名救助小孙,却使一切背道而驰,两人的爱情能否逃过被设定的命运? 身患绝症的小小(王柏杰 饰)终于找到了可以拯救自己性命的镜像人安先生(颜卓灵 饰),但一命换一命的生死抉择下,是两个渴望自由的灵魂,小小会对安先生下手吗? 陪伴、告别、活着,面对命运无情的捉弄,心怀不甘的他们选择逆流而上,追寻自己的明日青春。
李程彬,郭姝彤,颜卓灵,周游,王柏杰,段..
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性格善良正直,憨厚乐观的李修缘立志考取功名,就在他再次赶赴今年的科考路上,遇到了被捉妖师尹平之所伤的小白龙,小白龙的魂魄意外进入了李修缘的身体,性格截然相反的蛟与人两副魂魄控制着同一具肉身,但是遇水魂魄就会交替。不明所以的李修缘继续进京赶考,误打误撞结识了捉妖榜排名垫底,郁郁不得志的女捉妖师三生。刚开始,三生想要捉住龙妖,实现自己登上捉妖榜前十的心愿,但是在深入了解李修缘与小白龙的状况后,知道如果要降服小白龙,就会白白失掉李修缘这个无辜之人的性命。于是,三生决定帮助小白龙找到可以释放他魂魄的骊珠,这样既能让他与母亲团圆,也能救下李修缘。
彭禺厶,姜萌轩,牟凤彬,郝劭文,骆应钧
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四个分不开的11岁的女孩分享去年即将进入中学的最后一个暑假在这迷人的成长故事。凡妮莎(爱丽丝Ziolkoski)是一个有抱负的演员来弥补她的第一部电影。丽齐(Meaghan休斯)试图...
Adam Arkin,Mark Hump..
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在以色列港口城市海法的一家俱乐部里,五名迥异身份的女性相遇。她们中有以色列人,也有巴勒斯坦人,但她们的交往却抛开了身份标签。《莱拉在海法》通过戏剧性的幽默讽刺,为观众展现了以色列人和巴勒斯坦人交流碰撞的当代日常。本片入围第77届威尼斯电影节主竞赛单元。
马克拉姆·克霍里,Bahira,Abla..
高清
本片讲述的是一个挣扎在底层的龙套演员,却怀揣着一个大导演的梦想,用尽全力去经历现实中那些悲喜交加的故aaa。钱程不甘于自己底层群演经常忍饥,挨打的生存现状,在同行雨晴和张驰的鼓励下,决定自己写剧本当导演,去实现自己的电影梦。没有任何经验的钱程经历了很多令人啼笑皆非的事,在挫折和困难面前,钱程一直没有放弃,用但行好事,莫问前程的处事态度改变自己,机缘巧合下,最终实现了自己的人生价值。
冯岩,陈美庆,竺小乔,程鹏,王华明,韩建..
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保罗·坎普(约翰尼·德普 Johnny Depp 饰)是个失意的纽约作家,他来到波多黎各一家不景气的报社当记者,过起醉生梦死的生活。他在旅馆遇见性感美艳的切诺特(艾梅柏·希尔德 Amber Heard 饰),立刻被她吸引。地产大亨桑德森(艾伦·艾克哈特 Aaron Ec khart 饰)雇佣坎普写广告,并为他提供了丰裕的金钱与物质。坎普发现切诺特竟是老板的女人,却还是无法控制地爱上了她。桑德森安排坎普陪伴切诺特,坎普经受住美色的诱惑,拒绝与她一起私奔。他们来到一座岛上考察房产,在酒会上,喝醉的切诺特和当地男子热舞,让桑德森大怒。第二天,桑德森宣布与坎普终止合作,并将切诺特赶出家门。坎普收留了切诺特,并决心写出桑德森房产黑暗交易的内幕,但是出版社拒绝出版。他和朋友在集市斗鸡赚了一笔大钱,当他们拿着钱回来准备自己动手印刷文稿,却发现出版社早已被拍卖,人去楼空。坎普没有放弃自己的追求。回到纽约,他成功揭露了桑德森,成为一名记者,与切诺特幸福地生活在一起。
约翰尼·德普,艾伦·艾克哈特,艾梅柏·希..
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背后有七颗痣印记的狼少年乃天枢星转世为人,命占贪 狼,落地之时误入狼群,愤怒之时会显化巨狼本相, 后 机缘巧合被月夕带到村子,为保性命,习武狼王村破四 方阵。 山外破军,为官必劫,纵横黑道万夫莫敌难寻对手,虽 师父留有遗言,破军若遇贪狼需退避三舍,不然定有血 光之灾,破军不信天命,要与贪狼一战,七星连珠再现, 贪狼重生化人,贪狼与破军,宿命一战得以终结。
敖犬,李润野
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The story is of a married woman who, grieving her inability to have children, finds comfort and healing in her friendship with another man. It's about discovering grace in darkness and the unexpected places we find healing.
Sean Patrick Flanery..
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A retelling of the Greek myth of Phaedra. In modern Greece, Alexis's father, an extremely wealthy shipping magnate, marries the younger, fiery Phaedra. When Alexis meets his stepmother, sparks fly and the two begin an affair. What will the Fates bring this family Alexis's roadster and the music of Bach figure in the conclusion.
雷夫·瓦朗,玛丽娜·墨蔻莉,安东尼·博金..
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1954年指挥大师富特文格勒在萨尔茨堡音乐节上,指挥维也纳爱乐乐团,上演莫扎特的经典歌剧《唐•乔万尼》,这个珍贵的录像堪称富特文格勒留存至今最完美的影像资料,来自当年奥地利导演保罗•齐纳尔的努力,不计工本,用彩色电影胶片拍摄整个歌剧的演出,由著名的意大利男低音西耶皮演唱剧名主角,瑞士女高音德拉.卡萨演唱艾尔薇拉,堪称一时之选。卡司如下: Otto Edelmann...Leporello - Bass Elisabeth Grümmer...Donna Anna - Soprano Cesare Siepi...Don Giovanni - Bariton Dezsõ Ernster...Commendatore - Bass Anton Dermota...Don Ottavio - Tenor Lisa della Casa...Donna Elvira - Soprano
Otto,Edelmann,Elisab..
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在20世纪70年代以前,摇滚乐还是男性的天下,即使它的影响力以遍及世界各地,但全女子的摇滚乐团却从未出现。18岁的琼·杰特(克莉丝汀·斯图尔特 Kristen Stewart 饰)是一个狂迷摇滚乐的叛逆女孩,她始终渴望组建一支女子摇滚乐团。在经纪人金·弗利(麦克·谢农 Michael Shannon 饰)的帮助下,他们找到了15岁的切丽·柯里(达科塔·范宁 Dakota Fanning 饰)——与琼同样来自南加州且喜爱大卫·鲍伊的女孩——担任主唱。在此之后,吉他手丽塔·福特(Scout Taylor-Compton 饰)、鼓手珊蒂·韦斯特(Stella Maeve 饰)、贝司杰基·福克斯先后入队,全女子乐队“逃亡”正式成立。女孩们由此展开了多姿多彩、忧喜相伴的音乐之旅……
本片根据切丽·柯里(Cherie Currie)的自传改编。
克里斯汀·斯图尔特,达科塔·范宁,迈克尔..
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影片Катя Измайлова改编自列斯科夫的随笔《姆岭克斯县的马克白夫人》。 女作家的儿媳妇卡佳和作家别墅的帮工谢尔盖一见钟情。30岁的卡佳在谢尔盖身上找到了从未有过的激情,受情欲支配的她只要有机会就要和谢尔盖做爱。卡佳对工作的懈怠引起了婆婆的不满。卡佳为了扫清她和谢尔盖今后生活的障碍,婆婆生病时故意拖延时间使之丧命,然后和谢尔盖一起将自己的丈夫杀害掩埋。卡佳以为从此她就可以开始过幸福的生活了。但谢尔盖早有女友,他对卡佳也是另有图谋。得知真相的卡佳约谢尔盖和其女友一起进城,半途中,卡佳谎称汽车抛锚要谢尔盖修车,等谢尔盖下车后,卡佳发动汽车,将自己和谢尔盖的女友一同坠入河中摔死。 导演瓦·托多罗夫斯基是俄罗斯新生代导演中的佼佼者。或许出生于电影世家(其父是著名导演,曾执导电影《国际女郎》,其母是编剧及制片人)让他对镜头有一种天然的敏锐。新颖的视角,影调构图的个性设计赋予影片难得的精致与优雅,对场景和对白的精雕细琢给影片提供了深厚的底层铺垫。本片看似曲折、充满谋杀的剧情其实只是为了商业上的宣传,导演更注重叙事的结构。大气、精细、个性化似乎已经成为瓦·托多罗夫斯基影像作品的风格。
茵格保加·达坤耐特,Alisa,Frej..
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From the stage of the Royal Shakespeare Theatre in Stratford-upon-Avon, hosts David Tennant and Catherine Tate are joined by Benedict Cumberbatch, Judi Dench, Ian McKellen, Dame Helen Mirren, Meera Syal, David Suchet, Rufus Wainwright, Tim Minchin, Gregory Porter, Joseph Fiennes, English National Opera, The Royal Ballet and Akala for a very special evening. Together they mark the life and work of William Shakespeare on the 400th anniversary of the playwright's death. This unique event takes place in the presence of their Royal Highnesses the Prince of Wales and the Duchess of Cornwall and celebrates Shakespeare's extraordinary legacy and his enduring influence on all performance art forms - from opera to jazz, dance to musicals.
大卫·田纳特,凯瑟琳·塔特,本尼迪克特·..
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在一个幽静的小镇,有个小女孩莉莉,她是一个再正常不过的十岁女孩,直到某一天一本魔法书和小小的、笨拙的守护兽——一条小龙出现在她的房间。来自神秘魔法世界的女巫,指定了莉丽作为她的继任者。
奈尔·马利克·阿卜杜拉,Christop..
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少女忆梅在母亲病故后,遵母遗命赴台北投奔朱牧教授,汪玲迅速就爱上了朱牧的家庭教师杨群,但刘维斌也在追求汪玲,却因此常被父亲责打。使罗太太对汪玲充满敌意。有几次甚至精神并发作,几乎掐死她。忆梅出走回高雄杨群与朱牧教授将汪玲找回,在杨群的逼问下,朱牧终于摊牌。原来汪玲的确是朱牧的女儿。她的母亲江绣琳与傅公子相遇于贵州湄潭,结婚后生下皓皓和忆梅。江绣林和罗教授都分别来台湾。江绣林在临死前嘱女儿去投奔罗教授,未料引起一场悲剧。江绣琳收养的雅筑在罪疚及崩溃下,终于在院中菟丝花树旁上吊自杀
汪玲,杨群,
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《落第秀才》是一部超级爆笑剧,剧中巧妙地融进了所有的喜剧元素。演员们在剧中个个都猴精猴精的,表演上及其爆笑,甚至是无厘头。 连“彩信”这样的现代专用词汇,也被编入戏中。 故事讲的是江南穷秀才李长文,连续八年科试不中,只好在江南苏州名店“大钱柜”打杂工,成了众人笑柄,且得了个“落第秀才”的美号。 这年举试李长文与不学无术,仗其父在朝为官,鱼肉乡里的学堂同学司马算一同参加科试。皇上发现臣子的奏章文理不通,怀疑科场出了问题,微服来到江南。考试前夜司马算宴请考生,实为向考生卖题。 发榜了,司马算榜上有名,而李长文却又名落孙山。青梅竹马的未婚妻钱小小一怒之下愤然离去。 司马算为买下“大钱柜”酒楼,改成妓院,想方设法,百般刁难酒楼老板娘杜媚娘。为帮杜媚娘度过难关,在酒楼打工的李长文出谋划策。围绕着酒楼归属,展开了一场争斗。这场争斗引起了微服私访的当朝皇帝的注意,从而引出了酒楼里藏着的秘密。 在皇帝暗中相助下,李长文依靠智慧最后占胜了司马算,保住了酒楼,粉碎了司马算父亲等人的阴谋。
冯雷,梁音,任正彬
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故事发生在19世纪20年代的英国,玛丽(凯特·温丝莱特 Kate Winslet 饰)是一名古生物学家,然而,这个行当显然无法让她过上优渥的生活,所以玛丽至今仍然在贫困线上挣扎,为了给病重的母亲治病,玛丽靠着在沙滩上捡化石卖给游客来维生。 某日,一个名叫罗德里克(詹姆斯·麦卡德尔 James McArdle 饰)的男人找到了玛丽,开出了很高的薪酬,希望玛丽能够去照料他病重的妻子夏洛特(西尔莎·罗南 Saoirse Ronan 饰),经受不住金钱的诱惑,玛丽答应了。可是,就在玛丽刚刚见到夏洛特没多久,两人之间差异巨大的思想就碰撞出了火花,但随着时间的推移,她们都在彼此的身上看到了自己未曾经历过的世界。
凯特·温丝莱特,西尔莎·罗南,费奥纳·肖..
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自与约翰分手已有30年后,玛丽安隐约感到约翰还需要她,于是她决定到约翰乡下的家里去看望这个别了30年的老男人。他过着富足但与世隔绝的生活,在两个人之间,尽管很多年过去,当初的情感依然非常真实。在那里,玛丽安认识了约翰与前妻的儿子恩里克,以及恩里克21 岁的女儿卡琳娜,他们住在离约翰家不远的地方,但这老少三代人似乎并不和谐,玛丽安感到了卡琳娜对父亲恩里克的爱和约翰对儿子的不满,三个心灵都非常孤独的人之间有着似乎无法消除的隔膜和爱恨交织的复杂情感。
丽芙·乌曼,厄兰·约瑟夫森,伯杰·阿斯特..
阿努克·艾梅,Marc,Michel,雅..
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Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after. Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development. Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards. No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career. A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag. Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival. In 2000, the United States Library of Congress deemed the film culturally significant and selected it for preservation in the National Film Registry.
艾拉·娜兹莫娃